Monday, November 15, 2010
Train - “If It’s Love”
We start off with a disclaimer that after years of touring, Train took some time off. And the following is what they did in their spare time. Okay, then, let’s see.
Zoom in on Pat sitting at a makeup station, while some specialist makes sure that his hair retains that “just got out of bed look even though I paid someone hundreds of dollars to individually place each strand of hair”. The technician finishes and scurries off, so Pat stands up to admire the work as well as his all white outfit. He then puts on a black jacket and goes off to apparently not tour.
He walks into a bedroom that might have been decorated by the first person kicked off of this season’s “Design Star”. (Vern would scream and run from the room.) He sits on the bed and starts singing. Right in the middle of his vocals, he decides to take a nap, pulling the blankets over him. Well, I suppose you can sleep whenever you want if you’re not touring, but seriously, dude, we’re in the middle of a video.
Whoops, Pat is sitting back up on the bed and the covers aren’t messed up, so maybe I only imagined that last little bit. Pat sings some more for a while, and it gets just a wee bit boring, so my mind wanders and I wonder about things like where did he find that old-fashioned TV tray and what the hell happened to that lampshade.
Cut to Pat singing with the band, which I thought they weren’t supposed to be doing right now, but everybody looks happy so I guess I shouldn’t quibble. They appear to be performing at some fancy shindig with velvet ropes keeping the unpopular people away from the good stuff. Paparazzi are dashing about and I’m sure Paris Hilton is around somewhere, trying to figure out how she can make this event about her.
Now we have the story of what Jimmy did on his down time, when he apparently “tried new and inventive ways to raise money”. We see him at a pawn shop trying to unload a guitar, and I hate to break it to good ole Jimmy, but that’s not really a new and inventive thing to do. People have been going to pawn shops since they invented expensive drugs. Jimmy does get some cash, but he’s dissatisfied with the amount and stomps out of the store, realizing that with a tight budget he can only get his head waxed every other week.
More of the band singing, and I notice that there are several people not even watching the band do their thing. These people get on my nerves at concerts. Why are you even here if you’re not going to hold your hands over your head and quiver like orgasms are wracking your body? And I don’t care if you are just an extra hired for this video shoot, not knowing the difference between Train and Caboose, get into character or you will never be hired for another fake audience.
Next up is what Scott did last summer, which involves trying to sell his songs while standing beside a busy road. (Just me, or is this band not all that creative when they aren’t making music?) Some rich guy finally pulls up in his fancy car, handing over some cash for one of Scott’s CD’s with its crappy album art. Scott then does a jig of happiness before racing off to meet his inbred relatives for the barn dance over in Vagina Holler.
And more of the band singing. This time the crowd seems far more enthusiastic, so they must have gotten the memo I sent earlier. The paparazzi go crazy with camera flashes when Pat does one of his signature moves, an interesting mix of street cool and Herman Munster changing a light bulb. One girl in the front of the crowd is so excited she nearly gives birth.
We now learn that Train “even made some TV appearances”. Oh? Cut to Pat wearing some farm boy getup, complete with ball cap. It’s not that attractive, but the other guys are dressed as giant chickens, so Pat should really keep quiet or they’ll find something even more embarrassing for him to wear. The show they are taping appears to be some version of “Dancing with the Poultry Stars”, with the giant chickens trying to pop-and-lock without tripping over hay bales. Pat is not impressed with any of this, so he just stands there and waits for the shame to recede.
The little director guy doesn’t like something about the scene (you might wanna start with the whole concept of animals that talk and dance, eh?), so he stomps up and waves his hands around. Pat doesn’t care, and signals the video editor to cut back to the band in happier times, which includes shots of Pat eating dinner and watching “his favorite TV show”, which is him and the band accepting a Grammy award. This vision thrills Pat so much that he can only chew on one side of his mouth.
We get to the quiet part of the song just before the grand finale, so we head back to Pat and his bedroom, where he’s had it with his fancy clothes and starts ripping them off. But instead of titillating partial nudity, we are treated to Pat wearing his regular clothes underneath. Pat wanders out of the room, and the next thing you know the whole band is performing at a real concert.
And that’s how we wind down the song and the video, with Pat and the gang giving the audience just what they want. (With a few shots of a poultry uprising back on the film set, with the giant chickens and Farmer Pat hurling eggs at the irritating director.) We fade to black.
But not before we see a fleeting image of Paris Hilton trying to storm the stage to warble her new single, “If It’s Not About Me, You Need To Leave”…
Click Here to Watch the Video on YouTube.