We start out with old-timey music playing while the camera pans over piles of rubble. It’s not clear what we’re looking at, but some of the tidbits of this and that sure do look like bones, so this might not be the happiest video ever. Is this the fallout from a war of some kind, like the Republicans trying to do everything they can to prevent universal health care and, oops, they went too far?
The camera focuses on a robot on the ground, sporting what might be a tiny coal furnace in his chest. That seems odd, so we zoom in for a closer peek, but we don’t really learn anything because suddenly we’re in outer space, with a pod-ship flying toward us. (Hey, is that Sigourney Weaver waving at us from the window, wearing tiny panties and clutching a cat?) Next thing you know, Kanye is onscreen, rapping away, so the plot’s a little hard to follow here.
While Kanye floats around in some anti-gravity chamber, he babbles about his sexual prowess and how having bang-bang with him will blow your mind. That’s nice. Thanks for offering, but I believe I’ll pass. Then the pod-ship flies away from us, and I can’t say that I shed a tear that Kanye had to go somewhere else for a while.
We start hearing Katy’s vocals while we watch some billowing thing floating around in the night sky. (Or maybe it’s not night and the sun is dead. Wouldn’t surprise me, this hasn’t been a real uplifting video so far.) The billowing thing undulates for a while, and we get the sense that there is some kind of being in all the billowing fabric. Maybe a drag queen with a little bit too much dependence on chiffon?
Eventually we see that, yep, there’s somebody in there, but it’s an alien, sort of like the “E.T.” that we know and love from the movie, but WAY stretched out and not accompanied by Drew Barrymore in pigtails. While this guy continues to billow in the sky and Katy wails about “different DNA”, we get quick images of scientific-looking things and possibly an egg being fertilized.
Oh wait, here comes somebody else doing gymnastics in the sky whilst wearing an outfit with far too much flapping material. We have more quick images of various things, none of them very pleasant until a shot involving some guy’s naked chest. We could certainly study that for a while, but I guess we don’t have time. Okay, the new sky floater is apparently Katy, wearing wicked-ass makeup, a blouse made out of plastic tubing, and a severely-rigid hairstyle that makes me want to organize my CD’s.
This Katy floats around for quite a while, probably because she refused to get strapped into THAT mess again and they better get some serious footage while they had the chance. We see another series of nature shots that are somehow uncomfortable, then Katy does a wardrobe change into something that involves a lot of white material and a new hairdo that could easily grate cheese. I guess there’s some structural issues with this new outfit, because she seems to be having trouble getting the top half of her body in a comfortable position.
More nature shots, and we move from uncomfortable to downright vicious, with animals killing each other and such. Nice. Not really caring for that business. But Cheese-Grater Katy doesn’t care, continuing to do a bad version of The Robot while whizzing through the air. Oh wait, she’s not whizzing anymore and seems to be falling down to… well, I don’t know if it’s supposed to be Earth. We’ll just call it “ground” for now.
It seems that Katy changed her clothes once again while re-entering the atmosphere, and now she’s all dusty gothic, with the train on her skirt long enough sleep 60 dinner guests and another new hairdo that makes me think “Jennifer Lopez in ‘The Cell’” for some reason. Oh look, Katy has landed near that robot thing, and she runs over to investigate if that really is a coal-burner in his chest.
She takes a few seconds to sing a touching part of the song, then she wipes some radiation fallout off the helmet of the robot, and we see that inside the helmet is the video image of a head. Seeing this, Katy then crams her hand into the coal-burner thing on his chest. (Not really sure that would be my first plan of action, but we’ll assume that Katy has read a manual somewhere that says “when encountering video heads, shove your hand into places that look hot”.)
And this fire-touching leads to Kanye returning to the anti-gravity chamber for another round of rapping. (And the connection would be?) At first, Kanye is using one hand to grip his crotch so hard that you really expect toothpaste to shoot out of his head. (Kanye, HOW old are you again?) While Kanye continues to love himself down, we see the robot get to its feet, along with shots of violent sex among animals.
The randy footage gets Katy’s hormones a-jumpin’, and she smooches the robot on his glassy helmet. This apparently causes a brief nuclear explosion, so I’m not sure that was the best move. But it also causes the robot to turn into a slightly-androgynous male who likes to shove his chest forward so Katy can lean toward his nipples and we get a close-up of her fabulous makeup.
It seems that Katy might have some failing eyesight (honey, maybe you shouldn’t be floating around in space so much) so she reaches for some spectacles lying conveniently nearby. While Kanye appears to be sucked away to another galaxy by some vengeful gravitational force (yay!), Katy slaps on the glasses, then pulls off her outfit so we can see she has gazelle legs and a puffy tail. Didn’t see THAT coming.
We wind things down with Katy holding hands with her new lover, and the camera slowly pulls backwards as she and her surprisingly butt-baring beau stand and watch yet another nuclear explosion occur in the distance. Then they take a few steps toward their future together as a non-traditional couple. I’m guessing the marriage won’t take place in Texas…
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